Seven of Swords

When I started learning to read Tarot, it was with the Sacred Circle deck by Anna Franklin and Paul Mason, and the primary keyword they chose to go with the card is

“Diplomacy.”

Franklin and Mason advise tact and diplomacy in dealing with situations if this card appears. In essence, to choose your words wisely in order to convey the illusion you wish to be believed. This scene from the novel Great Expectations by Charles Dickens reminds me of the Seven of Swords because it’s like Diplomacy Run Amuck!

Poor Joe Gargery is out of his element in this scene, and copes the only way he knows how, which is to fling every high sounding word and phrase he can think of around to use a lot of words to say very little real content. Kind of like the Dark Side of Writing. Joe is also trying to hide that he feels inadequate to the task at hand … like an animal puffing itself up to appear larger than it really is when it’s threatened. That’s where the tie to the traditional meaning of this card is – to

Deception

and

Acting Strategically.

***

And now for the Seen of Swords scene:

7 swords sacred circle.jpg
Sacred Circle Tarot by Anna Franklin and Paul Mason

‘You are the husband,’ repeated Miss Havisham, ‘of the sister of this boy?’

It was very aggravating; but, throughout the interview Joe persisted in addressing Me instead of Miss Havisham.

‘Which I meantersay, Pip,’ Joe now observed in a manner that was at once expressive of forcible argumentation, strict confidence, and great politeness, ‘as I hup and married your sister, and I were at the time what you might call (if you was anyways inclined) a single man.’

‘Well!’ said Miss Havisham. ‘And you have reared the boy, with the intention of taking him for your apprentice; is that so, Mr. Gargery?’

‘You know, Pip,’ replied Joe, ‘as you and me were ever friends, and it were looked for’ard to betwixt us, as being calc’lated to lead to larks. Not but what, Pip, if you had ever
made objections to the business – such as its being open to black and sut, or such-like – not but what they would have been attended to, don’t you see?’

‘Has the boy,’ said Miss Havisham, ‘ever made any objection? Does he like the trade?’

‘Which it is well beknown to yourself, Pip,’ returned Joe, strengthening his former mixture of argumentation, confidence, and politeness, ‘that it were the wish of your own
hart.’ (I saw the idea suddenly break upon him that he would adapt his epitaph to the occasion, before he went on to say) ‘And there weren’t no objection on your part, and
Pip it were the great wish of your heart!’

It was quite in vain for me to endeavour to make him sensible that he ought to speak to Miss Havisham. The more I made faces and gestures to him to do it, the more confidential, argumentative, and polite, he persisted in being to Me.

‘Have you brought his indentures with you?’ asked Miss Havisham.

‘Well, Pip, you know,’ replied Joe, as if that were a little unreasonable, ‘you yourself see me put ‘em in my ‘at, and therefore you know as they are here.’ With which he took them out, and gave them, not to Miss Havisham, but to me.  I am afraid I was ashamed of the dear good fellow – I know I was ashamed of him – when I saw that Estella stood at the back of Miss Havisham’s chair, and that her eyes laughed mischievously. I took the indentures out of his hand and gave them to Miss Havisham.

‘You expected,’ said Miss Havisham, as she looked them over, ‘no premium with the boy?’

‘Joe!’ I remonstrated; for he made no reply at all. ‘Why don’t you answer—‘

‘Pip,’ returned Joe, cutting me short as if he were hurt, ‘which I meantersay that were not a question requiring a answer betwixt yourself and me, and which you know the answer to be full well No. You know it to be No, Pip, and wherefore should I say it?’

Miss Havisham glanced at him as if she understood what he really was, better than I had thought possible, seeing what he was there; and took up a little bag from the table beside her.

joe and miss h.jpeg
F.A. Fraser – An illustration for the Household Edition of Dickens’s Great Expectations (p. 48). Scanned image and text by Philip V. Allingham

‘Pip has earned a premium here,’ she said, ‘and here it is. There are five-and-twenty guineas in this bag. Give it to your master, Pip.’

As if he were absolutely out of his mind with the wonder awakened in him by her strange figure and the strange room, Joe, even at this pass, persisted in addressing me.

‘This is wery liberal on your part, Pip,’ said Joe, ‘and it is as such received and grateful welcome, though never looked for, far nor near nor nowheres. And now, old chap,’ said Joe, conveying to me a sensation, first of burning and then of freezing, for I felt as if that familiar expression were applied to Miss Havisham; ‘and now, old chap, may we do our duty! May you and me do our duty, both on us by one and another, and by them which your liberal present – have – conweyed – to be – for the satisfaction of mind – of – them
as never—’ here Joe showed that he felt he had fallen into frightful difficulties, until he triumphantly rescued himself with the words, ‘and from myself far be it!’ These words had such a round and convincing sound for him that he said them twice.

  • taken from Chapter 13 of Great Expectations

***

To learn more about the traditional meanings of the Seven of Swords, click here: www.biddytarot.com.

 

Five of Swords

from Great Expectations  by Charles Dickens
(italics mine)

***

When I had exhausted the garden, and a greenhouse with nothing in it but a fallen-down grape-vine and some bottles, I found myself in the dismal corner upon which I had looked out of the window. Never questioning for a moment that the house was now empty, I looked in at another window, and found myself, to my great surprise, exchanging a broad stare with a pale young gentleman with red eyelids and light hair.

This pale young gentleman quickly disappeared, and re-appeared beside me. He had been at his books when I had found myself staring at him, and I now saw that he was
inky.

‘Halloa!’ said he, ‘young fellow!’

Halloa being a general observation which I had usually observed to be best answered by itself, I said, ‘Halloa!’ politely omitting young fellow.

‘Who let you in?’ said he.

‘Miss Estella.’

‘Who gave you leave to prowl about?’

‘Miss Estella.’

‘Come and fight,’ said the pale young gentleman.

What could I do but follow him? I have often asked myself the question since: but, what else could I do? His manner was so final and I was so astonished, that I followed where  he led, as if I had been under a spell.

‘Stop a minute, though,’ he said, wheeling round before we had gone many paces. ‘I ought to give you a reason for fighting, too. There it is!’ In a most irritating manner he instantly slapped his hands against one another, daintily flung one of his legs up behind him, pulled my hair, slapped his hands again, dipped his head, and butted it into my stomach.

The bull-like proceeding last mentioned, besides that it was unquestionably to be  regarded in the light of a liberty, was particularly disagreeable just after bread and meat.
I therefore hit out at him and was going to hit out again, when he said, ‘Aha! Would you?’ and began dancing backwards and forwards in a manner quite unparalleled within my limited experience.

‘Laws of the game!’ said he. Here, he skipped from his left leg on to his right. ‘Regular rules!’ Here, he skipped from his right leg on to his left. ‘Come to the ground, and go through the preliminaries!’ Here, he dodged backwards and forwards, and did all sorts of things while I looked helplessly at him.

I was secretly afraid of him when I saw him so dexterous; but, I felt morally and physically convinced that his light head of hair could have had no business in the pit of my stomach, and that I had a right to consider it irrelevant when so obtruded on my attention. Therefore, I followed him without a word, to a retired nook of the garden, formed by the junction of two walls and screened by some rubbish. On his asking me if I was satisfied with the ground, and on my replying Yes, he begged my leave to absent himself for a moment, and quickly returned with a bottle of water and a sponge dipped in vinegar. ‘Available for both,’ he said, placing these against the wall. And then fell to pulling off, not only his jacket and waistcoat, but his shirt too, in a manner
at once light-hearted, businesslike, and bloodthirsty.

Although he did not look very healthy – having pimples on his face, and a breaking out at his mouth – these dreadful preparations quite appalled me. I judged him to be about my own age, but he was much taller, and he had a way of spinning himself about that was full of appearance. For the rest, he was a young gentleman in a grey suit (when not denuded for battle), with his elbows, knees, wrists, and heels, considerably in advance of the rest of him as to development.

fight.jpeg
taken from www.study.com

My heart failed me when I saw him squaring at me with every demonstration of mechanical nicety, and eyeing my anatomy as if he were minutely choosing his bone. I never have been so surprised in my life, as I was when I let out the first blow, and saw him lying on his back, looking up at me with a bloody nose and his face exceedingly fore-shortened.

But, he was on his feet directly, and after sponging himself with a great show of dexterity began squaring again. The second greatest surprise I have ever had in my life was
seeing him on his back again, looking up at me out of a black eye.

His spirit inspired me with great respect. He seemed to have no strength, and he never once hit me hard, and he was always knocked down; but, he would be up again in a moment, sponging himself or drinking out of the waterbottle, with the greatest satisfaction in seconding himself according to form, and then came at me with an air and a show that made me believe he really was going to do for me at last. He got heavily bruised, for I am sorry to record that the more I hit him, the harder I hit him; but, he came up again and again and again, until at last he got a bad fall with the back of his head against the wall. Even after that crisis in our affairs, he got up and turned round and round confusedly a few times, not knowing where I was; but finally went on his knees to his sponge and threw it up: at the same time panting out, ‘That means you have won.’

He seemed so brave and innocent, that although I had not proposed the contest I felt but a gloomy satisfaction in my victory. Indeed, I go so far as to hope that I regarded myself while dressing, as a species of savage young wolf, or other wild beast. However, I got dressed, darkly wiping my sanguinary face at intervals, and I said, ‘Can I help you?’
and he said ‘No thankee,’ and I said ‘Good afternoon,’ and he said ‘Same to you.’

***

Traditional Five of Swords meanings  at www.biddytarot.com.

 

Works Cited

Dickens, Charles. Great Expectations. New York: Dodd, Mead, 1942. Print.

Waite, Arthur E.. “Radiant Rider-Waite Tarot Deck.” Smith, Pamela C., Designer,
(Reissued in collaboration with Miss Sybil Waite and Rider & Company, London),
U.S. Games Systems, Inc., 2003, Stamford, CN.

 

“God Is Like Abs”

Love this! And excellent advice!

radiateandinspire's avatarRadiate & Inspire

God puts different obstacles and challenges in our lives for reasons. Many times, we can become a greater person through the difficulties and learn from them.

But when we are in a period that seems like we are drowning and that there is no upside to whatever we are facing, it is easy to become distant from God. Heck, it’s easy to become distant from God even when you are content with life or your relationship with Him.

Why is that?

Because our relationship with God is something that we have to constantly work at.

God is a good God, and He wants us to reach out to Him. He longs for us so badly that He sent down His only son to be beaten and crucified just so we could be saved. He has done His part already, now He is just waiting on our response.

Sometimes I think…

View original post 627 more words

Who’s in Charge Here?

Seventy Eight Degrees of Wisdom by Rachel Pollack has lengthy paragraphs describing the Church’s role in the guidance of Humanity with regards to this card. After reading, what I come away with is

“Who’s in Charge?”

I drew it in answer to the question “I’ve got this strong feeling of anxiety; I don’t like it; I don’t want to feel this; what’s the best thing I can do to address it? What does it need from me?”

And I drew the Hierophant

My first thought was the obvious “Talk to a therapist.” That’s reasonable advice.

I sat with it a while, looked at the imagery, nothing’s really popping out for me; he’s got a red robe; the pillars look strong; blah blah blah. The coins have crosses on them, that’s interesting.

Switched my focus from visual to feeling, and immediately got a feeling of Security. Of keybeing Established. Which of course leads to “establishment,” which is what the card traditionally means. Just this very secure feeling of Belonging and that Belonging not being threatened in any way. Sitting in a very strong, established, non challenged, place. The energy was just overwhelmingly that of a key fitting into a lock, a hand in a glove, you get the idea. 

I started thinking about what could have triggered my anxiety and fear, and I remembered that (God forbid,) I had been “talking to boys” this past week. Which doesn’t cause “normal” people anxiety but it does me – hence my decision to take dating off the table for at least a year. So that I could give my Root Chakra a rest for a while, let it heal, and establish a strong foundation of feeling safe and secure before re-entering the dating world. So I had been chatting with various exes this week because of the holidays, catching up, the normal thing, and felt tempted to start dating again – that was apparently enough to trigger the anxiety. 

I’ve done work with my subconscious Self (inner child / whatever label you want to give it) in the past, and it’s worked really well for me to give respect to my internal Self that may not be ready for the same things that my external conscious Self is. I had let my subconscious know I was listening – and in the event I entered a realm where I wasn’t totally comfortable – all it had to do was let me know and I would honor it by backing up til a comfort level was reached again. Equilibrium I guess you could say. (It worked really well if anyone else wants to give it a try.)   

(It’s worth noting also that there is symbolism within this card representing the three tiers of consciousness: the subconscious, the conscious, and the super conscious). 

This time – I guess I”m getting more comfortable with loosening my grip – I proposed and agreed to let my subconscious fully run the show. WHICH SHOULD BE INTERESTING lol!!!!! God knows how I will actually put this into practice; I have some vague idea of letting my instincts guide me, tapping more into my internal child Self, going with the flow of what I want rather than dictating to myself via logic what I will do…. 

Long story short, the advice of this card turned out to be ….Who’s in charge? Can you put someone else in charge for a while? Can another part of yourself lead the way instead? Do things have to be done only one certain way?” 

As well as to give some thought to the foundations we may be working with – “Are they strong enough? Are you coming from a place of strength? Are there some ways you can shore existing foundations up stronger? ” 

The-Hierophant-Bldg Beautiful Souls.jpg

***

Works Cited

Pollack, Rachel. Seventy Eight Degrees of Wisdom. San Francisco, CA, Weiser Books, 2007.

Waite, Arthur E.. “Radiant Rider-Waite Tarot Deck.” Smith, Pamela C., Designer, (Reissued
in collaboration with Miss Sybil Waite and Rider & Company, London), U.S. Games
Systems, Inc., 2003, Stamford, CN.

Astrological guidance for Jan 2 2019

I really like this source. She does good work.

***

from www.wellandgood.com :

Wednesday, January 2

Saturn, the taskmaster of the sky, conjoins the sun today. On the first day back to work after the holiday, reality calls. Don’t let Saturn’s heavy overtones get the best of you. Instead, sit quietly and listen to the voice of truth emerging within. On a more practical note, be sure to wash your hands, drink warm fluids, eat nutrient-dense blood-sugar-balancing meals, and get plenty of rest. Saturn’s influence might contribute to a sense of feeling run-down, which could lead to getting sick. So, take it easy and prioritize your health.

Saturn’s influence might contribute to a sense of feeling run-down, which could lead to getting sick. So, take it easy and prioritize your health.

oj.jpg

Coming off of a streak of holiday indulgences, you might even want to go deeper. Beyond the basics of proper immune system support, you may feel called to support hormonal health with a complete overhaul of your diet, too. Yes, those extra glasses of wine and cookies last month might create a hormone hangover this month. Taking sensible herbs and supplements, reducing sugar intake, eating healthy fats to support your adrenals, getting extra rest, and working out in a way that doesn’t contribute to burning out will facilitate your ability to bounce back from the holidays with greater resilience right now.

Manifestation Challenges

Some things the Queen of Pentacles reversed and the King of Swords upright have in common are themes of separation, of isolation from others, and of holding oneself separate, whether it’s conscious, or unconsciously done (Pollack). And it makes sense if you think about it. Upright, the Queen of Pentacles is immersed in the abundance and landscape and other beings around her. If you reverse that concept, she would be separate. 

King Swords Radiant
Radiant Rider Waite

The King of Swords doesn’t even need to be reversed to voice this message – this King is already arguably the most aloof of all the Kings of the Tarot. Sadly, the Radiant Rider Waite deck seems to cut the two birds of duality out of the King of Swordssky that the original Rider deck features. Because when discussing this separateness in terms of the King of Swords card, Rachel Pollack points out that:

“if the birds symbolize the mind’s ability to climb above the world they also symbolize the remoteness such an attitude can produce.”

One of the most common mistakes Light Workers sometimes make is one of becoming so immersed in the Spirit world or in our other origins that we do indeed become too disconnected from the Physical realm of this Earth, and from all the other energetic beings that reside in it with us. We forget that we are here for a reason – whatever our particular reason may be. And when we have forgotten our reason for being here, and allowed ourselves to become this disconnected from our environment, then we cease doing the work we came to do in the first place.

king of swords rider
Original Rider card

We work really hard, using the power of our mental faculties, to achieve some measure of control of our individual worlds – and this very act of raising our focus above the mud and fray also sometimes raises us too far away from the very people and planet we wish to serve. Besides the fact of this remoteness sabotaging any personal manifestation work we may be doing. In the end, we serve no one, not even ourselves, when we isolate ourselves too much from this world.

Because Pollack also says that the Queen of Pentacles reversed speaks of being so disconnected from the material world around you, that you are unable to enjoy the blessings and prosperity of the same, and unable to even perceive them sometimes, much less enjoy them. If you look at the card reversed, you will also see the rabbit featuring very prominently at the top and upside down – like fertility turned on its head. If one is working on manifesting abundance in one’s life … well, you see how this energy could create a problem with that goal. 

One of the first, most fundamental building blocks of manifestation in the physical realm is the ability to, and practice of, FEELING and APPRECIATING all the wonderful things that are already around you, instead of focusing on what you feel should be there and isn’t yet. All the affirmations and reprogramming in the world will not replace this fundamental building block; it is one that MUST be tended to, consciously, every day. 

If you see the Queen of Pentacles reversed come up for you in a reading, and especially in readings concerning physical prosperity, this may be the message she is relaying.

See that rabbit??? Check out that rabbit!!! I can almost see the money falling out of its ears and away from us lol! Like a piggy bank being emptied into a hole in the ground! 

And if you see this Queen reversed and clarified by the King of Swords – there is a STRONG possibility these are the messages they are trying to relay to you.

If you would like to rectify the situation, Seventy Eight Degrees of Wisdom suggests these  steps to get back in touch with your environment and fellow earth beings:

  1. Meditate with the Queen of Pentacles upright, to reconnect with her positive attributes.
  2. Ground / Connect with the simple pleasures and satisfying chores of the natural world
    I would add from myself:
  • Make time and efforts to socialize even just a little. Do something that gets you out and interacting with other people. 
    God help me if anyone that actually knows me reads this; I will never hear the end of it. But I am working on this too. I’m finally going to Tarot Tuesdays every  month, and I may even start hitting a Reiki share that’s also once a month.And going from office work to retail sales has put me back in touch with humanity in a REAL hurry! And I am loving that, but don’t tell anyone. (Cricket’s mom is doing similar).

I just thought that these two cards together carry a really important reminder for many of us in our spiritual journies. Especially if we are doing manifestation work. It never occurred to me before looking into this pairing, that an attitude of separateness could impact abundance manifestation work. But it makes real sense that it would. Something to look out for and be aware of. It would be a shame for anyone to do so much hard manifestation practice only to hit a wall because they forgot to open their eyes and look around them once in a while to appreciate what and who is already in front of them..

Make sense?

***

Queen of Pentacles traditional meanings

King of Swords traditional meanings

Works Cited

Pollack, Rachel. Seventy Eight Degrees of Wisdom. San Francisco, CA, Weiser Books, 2007.

Waite, Arthur E.. “Radiant Rider-Waite Tarot Deck.” Smith, Pamela C., Designer, (Reissued
in collaboration with Miss Sybil Waite and Rider & Company, London), U.S. Games
Systems, Inc., 2003, Stamford, CN.

 

Horses in the Tarot (Rider Waite)

Inspired by the Knight of Wands exploration, I went through the entire Rider Waite deck and pulled out the cards featuring horses that are in addition to the four Knights.

I found three. Interestingly, all the horses have riders and all the pairs are traveling in the same direction, to the right (and future?). Two are Major Arcana, one is Minor. The Minor Arcana card was of the Wands suit.  ALL the horses are WHITE. There is an object in the shape of an orb and in similar placement in all three cards: the sun in the Sun card, the laurel wreath in the Six of Wands, and … what is apparently the White Rose of the House of York, in the Death card.

Also interesting, is the fact that these three could easily symbolize the three major phases of our biological life span: Childhood, Adulthood, and Older Age. 

Lined up numerically, they would be:

Since the originators of the Tarot cards didn’t do anything by accident, this is interesting to explore as well. The numbers are 6, 13, and 19. If looked at still as the three major phases of biological lifespans, the Sun would be in the Older Age and Endings placement. If we think about it, our infancy and childhood really is the beginning of our biological decay – our spirits are eternal but the bodies we incarnate into are not, and they begin dying the minute the leave the womb.

I suppose Death could be feasible in the Adulthood placement too, as it is possible it is meant to remind us that our entire lives are illusions of life, and that as adults, we are in full blown Death phase? Could be.

And the Six of Wands in the Childhood placement. When a child is born, it is generally celebrated and heralded with joy and adulation. That is true. So even though the figure in this card is an adult, the adulation he receives could be said to be reminiscent of the birth of a new baby. So I guess that could make sense.

Horses generally symbolize Freedom, so freedom is a theme that will be found somewhere, somehow in each of these cards, as well as in the cards of the Knights:

Www.pure-spirit.com says that “Although the horse was present in many different cultures, they represent the same concepts of freedom and power.  In some cultures, white horses stand for the balance of wisdom and power.  In others, like Christianity, the white horse is a symbol of death.  The horse is a universal symbol of freedom without restraint, because riding a horse made people feel they could free themselves from their own bindings.  Also linked with riding horses, they are symbols of travel, movement, and desire.”

All seven of these cards do indeed do mark a transition from one sate of being into another. The Six of Wands takes a person from obscurity to acclaim. Death, from one plane of existence to another; the Sun, from darkness to light. And the Knights are all about movement and change within their respective elements and suits.

And finally, its interesting that there are seven of these cards. Seventy-Eight Degrees of Wisdom, by Rachel Pollack separates the Major Arcana into sets of seven with each set representing a phase of enlightenment while on earth.

Could this set of seven cards as a whole also be representative of something important in the experience of a soul?

***

Knight of Swords traditional meanings

Knight of Pentacles traditional meanings

Knight of Cups traditional meanings

Knight of Wands traditional meanings

The Sun traditional meanings

Death traditional meanings

Six of Wands traditional meanings

Most-Famous 20th-Century Tarot Deck Features Death’s Banner Emblazened with the White Rose of the House of York

merlynmacleod's avatarmurreyandblue

White Rose of the House of York White Rose of the House of York

The Rider-Waite-Smith Tarot Deck (RWS) is arguably the most famous of 20th-century Tarot decks. For decades, I’ve been using the RWS as an aid to developing fictional characters. Only recently did I notice the Death card in the Major Arcana features a skeletal knight carrying a banner on which is imprinted the White Rose of the House of York. As far as I can tell, the image of the Yorkist Rose does not appear on any Tarot deck – medieval or modern – preceding the RWS.

Death card in the Rider-Waite-Smith Tarot Deck Death card in the Rider-Waite-Smith Tarot Deck

Who Designed the RWS?

Arthur Edward Waite (2 October 1857 – 19 May 1942), commonly known as A. E. Waite, was an American-born British poet and scholarly mystic who wrote extensively on Masonic, occult and esoteric matters. Coincidentally or not, he shared the same day of birth as Richard III…

View original post 2,945 more words

Conflicted: the Knight of Wands

This card may surprise you, because its not a card traditionally associated with feelings of conflict. That being said, its a card I have come to personally associate with those things. I think I first interpreted it this way for a client’s reading, but then later realized it applies to me with regard to certain things in my psyche as well.

knight wands radiant
Radiant Rider Waite

It’s because of the conflict between the horse and its rider, the Knight. The horse is more than ready to go; the Knight not so much. The Knight is reining the horse in. The horse is fighting it. 

In my personal life, this applies to my journey through healing and learning to work around and work with, PTSD from various sources. And even to normal grief work. I tend to want things to be accomplished faster than they sometimes can. And when I push myself too hard or too fast, it backlashes on me and I end up struggling unnecessarily. I am learning to maintain a better balance in that. 

Some interesting imagery in the Rider Waite version of this card, which is the deck and the card I am basing this interpretation on, is the desert sand the Knight is traveling. Perhaps the horse is eager to get where he is going because the land is so barren here. Maybe he wants to get to where things can be planted, and grow, rather than just be moved through. But what the horse maybe doesn’t realize, is that all that barren brownness is also soothing to the eye and thus to the mind as well. Because there’s nothing to be done there but just keep moving, and appreciating the moment … there’s no additional stress to be endured. It’s just a relaxing walk or journey. Or can be, if permitted. Maybe they need to REST more than they need to DO.

Perhaps this is just an area of land that happens to be part of the journey to where the Knight and horse want to go, and it just has to be tolerated in order to get there. And there’s no use fighting it.

There’s also the point that, in a desert, where water can be far and few between, it’s probably a better idea to pace oneself rather than gallop full out and then fall down exhausted with nothing left and still far from water and rest. It is possible the Knight knows this and the horse needs to just trust him. Or at least trust his higher knowledge. 

The Knight is carrying his wand with new growth in it. He’s got what he needs for when he gets where he is going. And the Orion pyramids are behind him, watching over his journey. Maybe he doesn’t need to rush so much. Maybe Time is exactly what is needed, and the desert affords and gifts that to them. 

When I pull this card in answer to what’s going on with my Depression, Anxiety, or PTSD, it’s usually a call to slow down and stop pushing myself too hard or fast. And to not fall into the trap of thinking I have to take all action RIGHT NOW. To remember that it’s okay to let things unfold in their own time. To remember that I’m safer than I feel I am.

That there will be plenty of time later, to be here: knight swords radiant

 

 

 

 

And later, here:

knight cups radiant.jpg

 

 

 

 

 

 

And finally, here: knight pents radiant.jpg

 

 

 

 

(I find it interesting that two of these knights are facing left, (the past? Left brain?) … and two are facing to the right. The two hell bent on running are the ones facing the left and the two controlled, measured ones are the ones facing the right. 

But that’s for another whole blog post.)

Thoughts welcome from you readers out there! And what does the Knight of Wands mean the most, to YOU?   

***

Knight of Wands traditional meanings

Up ↑